No guns or knives in the theater
Saw this on one of the doors of the Armory Theater.

All I could think of? How many shows the prohibitions would make it difficult to produce.

Here’s what I said in response to Colleen’s What A Girl Wants question about whether we still need to care about the girl detective (and I strongly recommend reading the whole post with everyone else’s responses as well):

*****

“Why aren’t we friends any more?” “When did everyone else stop wearing this brand of jeans, and why didn’t anyone tell me?” “Are anyone else’s parents like mine?” “He asked what I got for question five, does that mean he likes me?” “I’m tongue-tied and I can’t stop looking, does that mean I like her?” Girls, or at least the sort of girl I was in junior high, are trying to simultaneously construct their own identities and decode everyone else’s around them. They are endlessly engaged in largely futile attempts to solve the mysteries of their own lives. Enter the girl detective, focusing her analytical skills on deducing who stole the jewels, rather than on why the necklace she got from The Limited failed to bestow popularity. Though honestly, I read and loved girl detective books well before my teens. By junior high, I was much more a fan of Agatha Christie. By then, I didn’t require my detectives to be girls, but I needed them to tie up all loose ends by the last page. I did not want ambiguity. I wanted resolution. I liked thinking that there was an answer to be found and that the detective was capable of finding it.

What do we lose when we lose the girl detective? Most importantly, we lose that sense of a girl using her intelligence to solve problems outside the realms of romance, family, and her place in the social hierarchy.

But I think the place of the girl detective may be taken by the girl spy. Exchange detection for espionage, and your clear (and reductionist) solutions and straightforward good versus evil framework are replaced by a world of ever-shifting motives and allegiances, with the constant possibility that you’re being double-crossed. It’s a less immediately comforting narrative frame, but a girl spy can have some of the same admirable characteristics as a girl detective: intellect, action, independence. And perhaps the moral greyness of spying more accurately reflects our times — not to mention junior high and high school.

*****

…So I kinda derailed the comment thread on that post by talking about The Wire. Those of you who know me in real life (and/or who are longtime readers of this site) will not be surprised that I could not restrain myself. In my own defense, I can only say that it was relevant in context. We were talking about whether it would be possible to create a “girl detective” type of character who would operate credibly in a contemporary high-crime, gang-affected neighborhood — and by extension, whether it’s possible to write a YA mystery in the sort of setting that, in real life, presents significant threats to its residents. Zetta Elliott said, “I don’t want to insert teenage girls into grim scenarios where they already figure as the victim.” I brought up the show because I wanted to highlight what a fine job the writers did (not to mention the actors, the directors, the set designers, etc.) showing the incredibly limited options kids have in those kinds of neighborhoods. It would be a huge challenge to create a girl detective who could live past her first investigation — but the idea of such a character (Laurel Snyder immediately and memorably christened her “Hope Jones”) is really compelling.

But in my next response, I’ll try to keep in mind where I’m posting, and talk about a few more YA books! I have a feeling each of my responses will be longer than the previous one, and perhaps after the next post (which will be up in early July) I’ll do a summary rather than a remix.

Of course, this post and the other one I did haven’t really, technically, been remixes either. I’m using that phrase the way some friends and I used to, to refer to any longish discussion that followed up on a previously raised subject. Which was most of our discussions, come to think of it.

24_cmmdr-r-jordan

“Known for her persistence and ability to embrace difficult characters, Lt. Cmmdr. Rebbeca Jordan used speed and pugnaciousness in leading her Smog Town troops in the Battle for Interstate 5 while still maintaining professional poise and a ready supply of head shots.”

  • Latest entry in the sub-optimal feline storage series:
  • Sub-optimal feline storage series

  • I just bought this ring. It has a bug in it:
  • Bug ring

at Chasing Ray: The Girl Detective Edition.

Go, read, comment! I might do another remix, too.

So Father’s Day, for me, is a day to think about how much I miss my dad.

I have lots of days like that, only rarely underscored by national celebrations, and on those days, I often read Dad’s writing. Sometimes, like today, I choose to share it with the Internet.

Here he is at 27, fourteen years before he’d become a father, writing in his fanzine Bandwagon about his irritation with holidays manufactured by special interest groups:

happy momsday
There’s this little pamphlet put out as a public service — well no, as a private service actually, you probably never saw one unless you’re in retailing — and it contains some clever humor, though I doubt the publishers think so. Some months ago I wouldn’t have thought it funny at all; disgusting, rather. But time brings all things, including perspective. And from this distance I want to mention a few of the morsels from “Special Days, Weeks, and Months in 1957″, published by the Chamber of Commerce of the U.S.

There is both a chronological and an alphabetical list of these special occasions, and the alphabetical list gives the sponsoring organization and the purpose of the event. The wording of these purposes is interesting. For instance, the purpose of National Education Week is “To create awareness…of the important role of education…” National Family Week is meant to “…emphasize the contribution of religion to the family…” Kids’ Day: “To focus attention on youth.” National Salvation Army Day: “To acquaint the American people with the work of the Salvation Army.” Purposes of other observances are “To enhance…public appreciation of”, “To further public interest in”, “To emphasize”, “To inculcate”, “To Stimulate”, “create”, “acquaint”. Get it?

Here are these hundreds of organizations like the Popcorn Institute and the Swim for Health Association and the Mayonnaise and Salad Dressing Manufacturers Association. They’re all promoting their own pet project, like National Ladder Month and Save the Horse Week and Old Maids’ Day, flooding the media with literature and pictures and material and presumably working like crazy to engineer public consent. Are they a Menace? Are they practising another form of brain-washing? Or are they just a bunch of noisy but harmless little insects whom it is best to ignore?

I dunno. But I think I’m going to start my own special observance. It’ll be called Stop Tinkering With My Brains Year, and when it’s over I’ll declare it again. If anyone wants advice and material on setting up this observance in his own locality don’t write me. You’ll only get nasty remarks about people who don’t want to do their own thinking.

Now I must go sneer at some TV commercials. Take it away, Vance Packard.

– Richard Ryan, Bandwagon, autumn-winter 1957, number 4

Links to the descendants of the organizations & celebrations Dad mentions added by me, of course.

Aspiring thieves: Summer is an excellent time to launch your career! Look for houses with open ground-floor windows. Even if the window is a considerable distance off the ground, all you’ll need is a simple stepladder. Pop out the screen and push the window up far enough to get yourself in. Wear gloves if you’re feeling extra cautious, but if you don’t have gloves, don’t worry. Since the window’s already partway open, pushing it up the rest of the way won’t make you break a sweat — and as long as you don’t sweat, it’s much less likely that the cops will be able to pick up your prints! Once you’re in, go straight to the master bedroom, put the laptops in your backpack, and get out. Done!

Writers, artists, and others who do a lot of work digitally: You already know you’re supposed to be backing up your work. But maybe you don’t have a regular schedule for doing it, and maybe you don’t back up every byte on your hard drive. When my laptop was stolen a couple of days ago, I didn’t lose my works in progress, because I’d been religiously emailing them to myself every time I edited or added to them. Some things I did lose: notes for future Flytrap stories, interviews with circus performers, transcribed overheard conversations, notes for other projects I was thinking about. It hadn’t occurred to me to back that stuff up, because, you know, I wasn’t actively working on it. Why, yes, I know that was foolish. But it’s not hard to be foolish, and complacent, and just not be thinking about the possibility of loss. My laptop wouldn’t have had to be stolen for me to lose that data; it could have crashed.

Once I have a new laptop, I will:

  • Install Undercover so that if I’m unlucky enough to have another machine stolen, technological retribution will be swift
  • Duh, back up absolutely everything, in at least two places: an external hard drive, and someplace online in the cloud. Recommendations?

I’m not waiting til I have a new laptop to close the damn ground-floor windows.

I don’t tend to dwell on the negative. I said once in an interview that I write toward the world I’d like to see. I have a cynical side, sure, but most often, I assume best intentions. Look for the good. Come on, it’s half full if you squint.

And Casey Parks shares some good things in this well-written multimedia article, Life as a Portland gay teen better, but not all rainbows. Identity. Community. The feeling that Portland is a good place to be queer. Mr. and Ms. Junior Gay Pride. Boys demonstrating proper snap technique. Girls giggling about how straight one of them used to be, til the night she was like hey, that girl looks good!

You take all that, and you set it next to the fact that Caitlin Bernardi, aka Rainbow,  got kicked in the head for saying yes when a stranger asked if she was gay. In 2009. In Portland. Outside the all-ages gay club.

Stay with me, because this is going to feel like a big subject shift.

A friend who works for the New York Public Library sent along some videos he wanted me to share. I’d be happy to, I told him, but I held onto them for a little while, not sure exactly how I wanted to post about them. (Well, that, and the fact that I got sick and wasn’t especially coherent for a couple of days.)

Now I know. The NYPL, as my friend writes:

worked with 6 high school students, who are all aspiring fashion designers, and brought them into the library to explore some of the fashion and design related collections, and to give them different perspective on past fashion trends. They then did some sketches and brought them back to the library to show Tim Gunn, who then provided personal advice to each aspiring designer, and answered any questions they had about fashion, the industry, or the project.

The teens’ designs will be showcased at the 5th Annual Anti-Prom, which this year is themed Vam-Prom. The Anti-Prom, organized by NYPL’s Young Adult Programs, provides an alternative, safe space for all teens who may not feel welcome at official school proms or dances because of their sexual orientation, the way they dress, or any other reason.

Watch, and be inspired:

I’m not saying that the existence of events like Anti-Prom in New York, or Mr. and Ms. Junior Gay Pride here in Portland, means that violent bigots will vanish from the earth. (I do have that cynical side.) But having the events, and talking about them, and making sure everyone knows how incredibly cool they are — that’s one way to create change.

Thank goodness I had the forethought to record a couple segments of this in advance. In advance, that is, of the cold that has poleaxed me this weekend and, among other symptoms, is making me sound like an eighty year old, three unfiltered packs a day kind of lady. Granted, it might be amusing for you all to hear a podcast recorded in this condition, but my voice is also sometimes going away altogether. 

Anyway, here for your downloading pleasure is The Rules for Hearts, part five, specially prerecorded before The Sickness.

In case anyone was harboring any doubts about the depth and breadth of my nerdiness, I present to you Exhibit A: The Binder I Had In Seventh Grade. I threw this out the last time I visited my mom, but felt strangely compelled to create a digital archive.

Seventh grade binder.

Annotations, from above left:

I remember being very excited to find the heart sticker with my name in it. Despite the fact that now I know approximately a million Saras, in the eighties, it was rare to encounter any name-related ephemera spelled sans H.

Lord of the Rings sticker. I was in a fan club. There were newsletters. This was — okay, it wasn’t before Orlando Bloom was born, but it was, you know, years before Peter Jackson even made Meet the Feebles.

Sandra Boynton elephant. Did you know she has designed over four thousand greeting cards? I didn’t either.

Why, yes, WHYT was a Top 40 station, why do you ask? It would be ninth grade before I discovered WCBN.

Gandalf for President. Edited to add, in proto-anarchism (that would come in ninth grade, too): “Or Nobody.”

Cheshire Cat sticker.

Giant Ghostbusters sticker.

Great American Smokeout sticker. They gave these out at school. I think we were supposed to go home with them and tell our parents to stop smoking, since in seventh grade, very few of us had taken it up.

Powdermilk Biscuits postcard. Sigh. I would listen to the show sometimes with my dad.

Shiny foil musical note rainbow sticker. Because it was very important to reinforce one’s essential musicality with representations of musical notes.

Shiny foil rainbow unicorn sticker. (What was it with shiny foil stickers? I do not know, except that they were shiny, and also foil.)

There are some traces of yet other stickers, the nature of which are lost to memory.

Tell me something about your seventh grade year? Or Year Seven, as the case may be.

The first What A Girl Wants post is up, and, as I suspected, I’m moved to comment over here at greater length. Colleen asked us about the titles we remembered from our teen years. Go over and read everyone’s answers, and then come back.

Here’s what I said there: I can’t choose a single title, so I’ll pick three ways I wanted to feel, and one or two books that fit each feeling.

1. That there was weight and resonance in seemingly random events, that I might be part of a larger, more meaningful story: Susan Cooper’s The Dark Is Rising, the way Will Stanton discovers his part in the struggle between the Dark and the Light.

2. That I was connected to friends: my whole circle, for reasons that now escape me, read The Chronicles of Thomas Covenant the Unbeliever, and delighted in quoting “Leper outcast unclean!” at each other.

3. Like I was getting away with something, learning things I wasn’t supposed to know: Mary Renault’s novels of ancient Greece and the fascinating gay couples that populated them; and in an entirely different mode, Douglas Adams’ Hitchhiker’s Guide to the Galaxy.

Some expansions on these feelings and other books that fit them:

1. Much of my fantasy reading fits here — the Anne McCaffrey Pern books, Madeleine L’Engle. And like Laurel Snyder, I was enraptured by (and have previously blogged about) The Egypt Game; that sense of magic — and menace — being present in the everyday.

2. I read a lot of books that I’m not inclined to reread now because my friends were reading them. I loved the books then — see also, for instance, David Eddings — but what I loved, I see now, wasn’t so much the plots or the prose but the shared reading experience. I remember almost nothing about what happened in these books — what I remember is the excited conversations about them, and the ways we’d use the books to shape the role-playing games that also occupied a lot of our time.

3. I need to say more about Mary Renault. At a point in my life where crushes on girls coexisted with the casual, thoughtless homophobia that led to using the word “faggy” as a term of disappropation, Mary Renault’s books provided an intricately detailed look at a society where men being lovers with men was part of what constituted the norm. I didn’t discover books with lesbian content until later — although I also remember being very struck by the fraught vampiric “relationship” between Sheridan le Fanu’s Carmilla and her victim.

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